ADVANCED TYPOGRAPHY - TASK 2: KEY ARTWORK & COLLATERAL
14.05.25 - 18.06.25 (Week 4 - Week 8)
Michelle (0373843)
Advanced Typography / Bachelor of Design (Honours) in Creative Media / Taylor's University
Task 2: Key Artwork & Collateral
Michelle (0373843)
Advanced Typography / Bachelor of Design (Honours) in Creative Media / Taylor's University
Task 2: Key Artwork & Collateral
TABLE OF CONTENTS
LECTURES
Week 5
Perception & Organization
Perception: The way something is understood or interpreted.
Etymology of Typography
From Greek word: "typos" (form) & "graphis" (writting).
Contrast
- Size, larger text draws attention first.
- Weight, bold emphasize important points.
- Form, distinction between letter cases or different typefaces.
- Structure, different letter forms create visual interest.
- Texture, overall appearance of text can create layers and depth.
- Direction, mixing vertical and horizontal text can create dynamic layouts.
- Color, thoughtful use will enhance contrast, but must be applied carefully to avoid confusion.
Form: Overall look & feel of composition
Creates visual impact & first impression, leads the eye, and
determines memorability.
Gestalt
- Law of Similarity: Similar elements are grouped together
- Law of Proximity: Elements close together are perceived as a group.
- Law of Closure: Incomplete forms are perceived as complete.
- Law of Continuation: Elements aligned in a continuous line are perceived as a single unit.
INSTRUCTIONS
PROCESS WORK
Task 2A: Key Artwork
Mind Map
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Figure 1.1.1 Self Mind Mapping, Week 4 (14/05/25) |
1st Attempt in Reference & Digital Sketches
I first attempted to build a wordmark which captures my identity as an artist who keeps learning and growing. So I shaped my "M" to represent an artist's stroke. I also added a heart-shaped-arrow to also make it look like a rising graph.
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Figure 1.1.2 First Ideas, Week 4 (14/05/25) |
Though I liked my idea, I don't think the results are good. I also found out that the reference should be in the same form of what our targeted final outcome will be. So if I'm doing a wordmark, my references should be wordmarks as well. So, I decided to revise and expand my research and create a mood board.
Mood Board
Before looking at wordmark references, I first find out about the symbolization of the key words I've chosen from my mind-map. After I've gotten a clearer vision on what to look for and how the keywords could be represented in graphic, I explored on Pinterest to find wordmarks that could work for my keywords.
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Figure 1.1.3 Mood Board (Wordmark References), Week 5 (21/05/25) |
Rough Sketches
I sketched all of the ideas popped in my head. Some were inspired by the references, while some are just my own ideas I thought of while sketching.
Digitization
I picked a few ideas that I liked and thought might be good for digitization. In a digitized form, I can better depicture the end result of each idea, so I can choose what looks best.
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Figure 1.1.5 Ideas Digitization, Week 5 (21/05/25) |
I decided to go with my smiley face idea. In class Sir Vinod also approves on it with minor adjustments on the kerning.
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Figure 1.1.6 Chosen Idea Developments, Week 5 (21/05/25) |
Color Palette
I browsed color hunt and searched for the keyword yellow and blue. Yellow because it represent happiness and creativity, while blue radiates trust and stability and also contrast with an orangey-yellow. I didn't find a palette that I fully like, so I used these for reference and build my own.
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Figure 1.1.7 Color Hunt Reference, Week 6 (28/05/25) |
I tried multiple color combinations.
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Figure 1.1.8 Color Palette Ideas, Week 6 (28/05/25) |
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Figure 1.1.9 Color Palette Explorations, Week 6 (28/05/25) |
I also used some sources online to help see the visualization of my color palette.
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Figure 1.1.10 Color Palette Visualizer - Coolors, Week 6 (28/05/25) |
After seeing how my color palettes work, and also with some external opinion from friends and family, I decided to go for my first idea.
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Figure 1.1.11 Chosen Color Palette, Week 6 (28/05/25) |
Animation
For the animation, I initially had no idea on how to do it, so I looked for animated words in YouTube. More specifically I looked at Word as Image - Ji Lee and Emotions - a kinethic typography - PixelValet.
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Figure 1.1.12 Animation Frames, Week 6 (28/05/25) |
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Figure 1.1.13 Animation Timeline, , Week 6 (28/05/25) |
Task 2A Final Outcome
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Figure 1.2.1 Black on white, Week 6 (28/05/25) |
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Figure 1.2.2 White on black, Week 6 (28/05/25) |
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Figure 1.2.3 Color Palette, Week 6 (28/05/25) |
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Figure 1.2.4 Actual colors on lightest color, Week 6 (28/05/25) |
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Figure 1.2.5 Lightest on darkest, Week 6 (28/05/25) |
Figure 1.2.6 Wordmark Animation, Week 6 (28/05/25)
Figure 1.2.7 Wordmark Animation, Week 6 (28/05/25)
Task 2B: Collateral
At first, I tried to edit my design onto an image with a plain version of my item. But I realized it'll took many time and effort to do, at least with my current skills. So, I only did it briefly just to get an imagery to show my idea in class.
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Figure 2.1.1 Book & Keychain, Week 6 (28/05/25) |
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Then from my friend I found out about mock-up templates which is super easy to use, so I ended up doing this method. I also indlue a hoodie to replace one of my collateral since Sir Vinod said a book is boring.
I soured the Photoshop template from mockups-design.com for hoodie and keychain, then mockupworld.co for sticker pack.
Collateral
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Figure 2.1.1 Hoodie Mock Up, Week 7 (04/06/25) |
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Figure 2.1.2 Key Chain Mock Up, Week 7 (04/06/25) |
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Figure 2.1.3 Sticker Mock Up, Week 7 (04/06/25) |
Identity Expansion - Instagram Post
Along the week, I updated my instagram post design and layout according to Sir Viinod's feedback.
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Figure 2.1.4 Instagram Post Design, Week 6 (28/05/25) |
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Figure 2.1.5 Instagram Post Design, Week 7 (04/06/25) |
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Figure 2.1.6 Instagram Post Design, Week 8 (14/06/25) |
Task 2B Final Outcome
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Figure 2.2.1 Final Collateral 1 - Hoodie, Week 8 (14/06/25) |
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Instagram page: @michelle.__.world
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Figure 2.2.5 Task 2B Compilation (PDF), Week 8 (14/06/25)
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Task 2 Final Outcome Compilation
Task 2A: Key Artwork![]() |
Figure 3.1.1 Black on white, Week 6 (28/05/25) |
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Figure 3.1.2 White on black, Week 6 (28/05/25) |
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Figure 3.1.3 Color Palette, Week 6 (28/05/25) |
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Figure 3.1.4 Actual colors on lightest color, Week 6 (28/05/25) |
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Figure 3.1.5 Lightest on darkest, Week 6 (28/05/25) |
Figure 3.1.6 Wordmark Animation, Week 6 (28/05/25)
Figure 3.1.7 Wordmark Animation, Week 6 (28/05/25)
Task 2B: Collateral
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Figure 3.2.1 Final Collateral 1 - Hoodie, Week 8 (14/06/25) |
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Instagram page: @michelle.__.world
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Figure 3.2.5 Task 2B Compilation (PDF), Week 8 (14/06/25)
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FEEDBACK
Week 5
General Feedback:- 2 Types of word mark:
- Commercial brand (can be used professionally for target audience).
- Personal/ (whatever we like).
- Use key words which supports branding. Weak base results in weak value in design.
- Best word mark designs are neutral and contemporary (timeless).
- Intellectual communication (with terminologies) is needed to sell an artwork, for client to understand and be persuaded.
- Word marks needs to be whole on its own and versatile to be used.
- Have good balance of symmetry: stability and movement.
- More complicated: less readability: less memorability (to remember and replicate).
- We often times only scratch the surface of an idea and use it too literally, can explore the meaning further (metaphor thinking).
- Sometimes good ideas comes from spontaneous intuition.
- What's the first thing that comes to mind.
- If other me and other people are willing to use our design, is a good sign.
- Sometimes people are attracted to only a specific part of our design, like how we are fond of certain melody from a song without remembering the lyrics.
- Some artist create by doing - create first then post rationalized.
- Construct precisely by using grids.
Specific Feedback:
Not convincing enough, 3 versions are not sufficient, do more
explorations.
The practice of design has changed through time, but its concerns remain the same. The deceptively simple exercise of designing a mark for a client, and the elusive quest for timelessness that it entails, are still central to the challenge that graphic designers face today.
Week 6
General Feedback:
- To review wordmark: 1. Readability 2. Word Craft.
- Apply consistency of vertical & horizontal weights, counterspace & serifs shapes, as well as angles & curvature.
- Stop eyeballing, always use graph in constructing letterforms -> snap to grid to be exact.
- Synchronizing the size of counterspace to the line weight usually will result in a more balanced look.
- Never make adjustment directly on the same work, make a duplicate first so we have clear progression and could look back.
- Replication before variation.
Personal Feedback:
- Interesting and unique, but there's room for improvement.
- Reduce the spacing within the letters at least by 3/4.
Week 7
General Feedback:
- Make the self-portrait artistic.
Personal Feedback:
- Explore more words with the letter "o" to implement logo and make sticker.
- Find a better item to replace book (boring).
Week 8
General Feedback:
- It takes time for expansion.
- Sometimes idea is good, but execution fails to deliver.
- Patterns are often used in background. Foreground presents something important. Be careful not to distract the foreground with the background.
- We must observe the object we're animating to really capture it's characteristics.
- We must overcome our insecurities to take stylistic & professional picture in order to present ourself fully.
Personal Feedback:
- Too much use of pattern.
- Do more mockups of the keychain.
- Improve composition of words with logo, too much white space.
- Color palette a bit too light to Sir's liking.
REFLECTIONS
Experience
From the beginning of the task brief, I felt really excited to
work on it compared to other tasks. Not only do we got to learn
more about typography, we also got to learn more about ourselves.
Though I am really keen on it, the process wasn't easy for me
personally. It took so much time for me to sit down and think of
who I am and come up with idea to represent my identity. I
wondered why it is so difficult for me while everyone else seems
to be able to quickly come up with something. Each week during
consultations I only got to admire how others could come up with
good designs while I still haven't quite got it. But on week 8,
Sir Vinod's feedback gives me a realization and serenity. I
figured out that it's a process, and everybody's progress will be
different. This task has started the process for me, that I will
continue to explore and improve on as I go on. In summary, I felt
really grateful to be given this task as it allows me to pause
from everything else and focus on myself.
Observations
In doing this task, since I faced some doubts and idea blocks, I
often looked at other's works and it really widens my perspective.
Their works opens my mind to things I won't ever come up with by
myself. Their strengths inspired and motivated me, and their
weaknesses taught me without the need to experience it myself.
Collaborative learning, in a community of people with a similarity
in field yet diverse goals and values turns out to be really
beneficial for me.
Findings
I realized that I barely ever spend time to really feel and
reflect on myself. Oftentimes, I got carried away, pressured by my
duties and responsibilities as a student, a young adult who needs
to figure everything out and be successful. Sometimes even
hustling over things that might not really serve me, prioritizing
it over myself. Through this task, I got a reason to intentionally
spare time to reflect on who I was, currently am, and want to be.
I slowly understand the fact that in order to better strive, I
need to first understand myself. Everything might not be clear
right away, but I need to make efforts everyday to really reflect
and make sure whether what I'm doing is right for me. At the end
of the day, the reason I have been hustling is for the benefits of
my future. But what does it mean if I sacrificed my current
happiness and well-being? Turns out I've been seeing everything in
the POV of "a price to pay for my future" instead of "an enjoyable
journey".
FURTHER READING
Week 5
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Semantics: The search for the meaning of whatever we
design, to understand its nature and complexity as a correct base
and direction for the design.
Week 6
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Figure 4.2 Pentagram - Juzdan |
A single continuous line, adding an element of playfulness and
hinting endless possibilities.
Week 7
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Figure 4.3 Pentagram - 1,000 Marks |
The practice of design has changed through time, but its concerns remain the same. The deceptively simple exercise of designing a mark for a client, and the elusive quest for timelessness that it entails, are still central to the challenge that graphic designers face today.
Week 8
Syntactics: The structure and rules on how are arranged and
related to each other and all elements.
Pragmatics: The paramount of design is the clarity of
result/end-product. Mostly, clear semantics and syntactic leads to
clearer result. However, if it fails to communicate, wasted effort.
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